"Original, inspired and fantastically talented" Total Theatre
"F’ing excellent, Like watching Nureyev and the Divine David on mushrooms! Book now, like NOW" G Scene
"Cultured magpies" Exeunt Magazine
"I love it... I’m literally craning my neck to get closer to the stage" British Theatre Guide
"A subversive delight" ***** The Stage
"No-one makes work anything like this" - BachTrack
Theatre and Film credits include:
Aletta Collins, Itzik Galili, Joanna Fong, Lea Anderson, Nigel Charnock, Jonathan Lunn, Carolyn Choa, Tom Cairns, Andonis Foniadakis, Fiona Shaw, Hubert Essakow, Kim Brandstrup, Deborah Warner, John Cameron Mitchell, Wayne McGregor, Robert Binet, Amir Hosseinpour, Gary Clarke, Phyllida Lloyd, Stijn Celis, Robert Cohan, David McVicar, Rambert Dance Company, Tanztheater Wuppertal Pina Bausch, The National Theatre, Royal Opera House, The Young Vic, English National Ballet, Invisible Circus, Duckie (Royal Vauxhall Tavern), English National Opera, Lyon Opera, National Dance Company Wales, Live Arts New York, Brooklyn Academy of Music and Salzburg Festspiele.
Choreography credits include:
The Royal Ballet, Staatsoper Berlin, The Hollywood Bowl, Landestheater Passau, Aldeburgh Music Festival, The Print Rooms, Corali Dance Company, The Royal Opera House, Tanzkompagnie Theater St.Gallen, Blind Summit, Akademi, Anjali Dance Company, the BBC, The Fritz Koenig Museum of Sculpture, Fighting Dog Theatre, Bastard Assignments, Royal Academy of Music, Impermanence & The Rabbit Hole @ Glastonbury Festival.
Teaching and Workshops credits include:
The Ballet Boyz, Gary Clarke Company, The Young Vic, Legat School of Ballet, Myrtle Theatre Company, Rambert School of Ballet and Contemporary Dance, Winchester/Plymouth/Bristol Universities.
Daniel is an award winning filmmaker, presenting his work in Operas, Galleries, Hospitals, Nursing Homes, Public Spaces and on YouTube.
“I can think of no other male performer for whom movement is a more naturally expressive state. There is no other-dimensionality to Hay-Gordon, no barrier of self-consciousness or artifice. All is weight and heft and flow” (The Observor)
"Hay-Gordon is also excellent: compelling, and utterly physically commanding." (A Younger Theatre)
"marvellously eloquent" (Time Out, New York)
"...finally gets out of his chair to perform one of the most naturally expressive contemporary dances I’ve ever seen, he completely shatters my expectations. Hay-Gordon’s dancing honestly took my breath away" (Everything Theatre)
"Daniel Hay-Gordon is such a beautiful dancer to watch, the audience would probably be happy to watch him perform his solo for the full hour" (Cloud Dance Festival)